John Yau

GalleriesWeekend

David Reed’s Panorama

by John Yau on May 1, 2016

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The last time David Reed showed paintings in New York was in 2007, nearly a decade ago.

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GalleriesWeekend

Lui Shtini’s Enigmatic Paintings

by John Yau on May 1, 2016

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I imagine that Lui Shtini has a growing group of admirers – many of them painters – just as Myron Stout, Christina Ramberg, Barbara Rossi, and Thomas Nozkowski did before him.

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Post image for An Ivory Tower Artist: Joe Bradley’s Recent Paintings, Sculptures, and Drawings

His work suggests that once Bradley conceives of his project, he is able to pass effortlessly through the style, like an adept actor able to play any role as long as it isn’t too serious and doesn’t require a lot of feeling.

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Post image for Full Steam Ahead: Steve DiBenedetto’s Recent Paintings

Steve DiBenedetto has not been sitting still. I cannot imagine that he ever does.

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GalleriesWeekend

The Wild Children of William Blake

by John Yau on April 17, 2016

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Raymond Foye – who possesses an encyclopedic knowledge of various underground currents of poetry, music, and art – is the only person on the planet who could have conceived of this exhibition, Dark Star: Abstraction and Cosmos at Planthouse.

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Post image for Conversations Can Be a Way of Moving Forward: Melissa Meyer’s Category-Resistant Abstractions

Since 2001, Melissa Meyer has continued to reinvent herself without severing her connections to Abstract Expressionism or, more particularly, the brushstroke and drawing in paint.

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GalleriesWeekend

Angela Dufresne Has a Big Heart

by John Yau on April 10, 2016

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Dufresne’s drawings are humorous, whimsical, tender, odd, sarcastic, fantastic, sympathetic, and sweet. She celebrates the wacky and wonderful side of human behavior when overtaken by erotic passion, as well as reaches inexplicable places in our imagination.

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GalleriesWeekend

The Music Must Go On

by John Yau on April 10, 2016

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I don’t think it is hard to understand why Sandra Vásquez de la Horra’s pencil drawings depict dejected, often isolated figures from a domain that is simultaneously fairy tale, horror story, and dream.

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GalleriesWeekend

Erotic and Abstract

by John Yau on April 3, 2016

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I first became aware of Carole Seborovski’s work in the mid-1980s, when she was a geometric artist working on paper with a restrained palette.

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Post image for Dear Adam D. Weinberg, Donna De Salvo, and Scott Rothkopf

Why doesn’t the Whitney Museum of American Art inaugurate a series of exhibitions in honor of Herman Melville? It would certainly be fitting given the museum’s recent change of address.

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