Weekly Newsletter
In Minor Keys, Khaled Sabsabi, Louvre Heist Film
Also, why did a New York gallerist use AI on an Ansel Adams photo?
Weekly Newsletter
Also, why did a New York gallerist use AI on an Ansel Adams photo?
Opinion
After spring's marquee auctions, we are led to believe that everything in our important art universe is doing just fine. It isn't.
Art Review
Her depictions of individuals in settings that seem both out of time and of this moment represent one of many engaging paradoxes.
News
“This is how corporations bully individuals who cannot match their resources,” said the artist and activist.
News
ruby onyinyechi amanze’s mosaic “May Your Road Be Light and Fun” at Borough Hall excerpts drawings from over 10 years of the artist’s practice.
Art Review
Her photographs showcase an intensely physical side of the city: breaking down boxes to dance upon, spray-painting subway cars.
Community
“Over the past decades my material has been light.”
Sponsored
Announcement
Supporting media artists with production grants, global exhibitions, and an expanded online residency with Ars Electronica.
Daily Newsletter
How Douglas Latchford got away with it; plus, Frank Stella’s Navajo weavings.
Book Review
A new book maps the network that allowed Douglas Latchford to violently rip Khmer statues from their homes and funnel them into Western institutions.
Community
The first public exhibition of Jack White's artwork, Cheryl Finley gets the David C. Driskell Prize, and more news to know.
Community
This week: a record-breaking World Cup mural in Mexico City, the Gen Z of 19th-century France, van Gogh and AI, and more.