A new annual award that reinforces MAD’s commitment to celebrating the next generation of artists working in and advancing the disciplines that shaped the American studio craft movement, the Burke Prize is an unrestricted $50,000 award made to a professional artist under the age of forty-five working in glass, fiber, clay, metals, or wood.
Named for Marian and Russell Burke, two passionate collectors of craft and longtime supporters of MAD, the Burke Prize will be determined by an annual jury of professionals in the fields of art, craft, and design following an open application process.
Eligible applicants are professional artists under the age of forty-five working in glass, fiber, clay, metals, or wood. Applicants must be American citizens or permanent residents, living or working within the continental United States, Alaska, Hawaii, Puerto Rico, Guam, or the US Virgin Islands.
The applications will be reviewed by a jury led by Shannon R. Stratton, William and Mildred Lasdon Chief Curator at MAD. This fall, the Museum will present an exhibition of work by a selected group of finalists of the Burke Prize, prior to the announcement of the first winner at MAD Ball.
Michael Radyk, Director of Education, American Craft Council; Editor-in-Chief, American Craft Inquiry; Artist
Jenni Sorkin, Associate Professor, History of Art and Architecture, University of California, Santa Barbara; Art Historian & Critic
Namita Gupta Wiggers, Director, Master of Arts in Critical and Historical Craft Studies, Warren Wilson College; Director and Co-Founder, Critical Craft Forum
Applications due on Monday, April 30, 2018.
What feels like the right way to write about Roman Catholicism, or Christian iconography, to most art critics is heavily influenced by museum discourse, which is far from neutral.
A group exhibition at the Americas Society investigates ideas of paradise, approaching the Caribbean region as a product of the visitor economy regime.
The unique MFASA at the Institute of American Indian Arts offers mentorships with world-renowned Indigenous artists, flexible schedules, and access to one of the US’s cultural capitals.
Visual artists who incorporate psychedelics into their practices maintain a foundational understanding that there is more to reality than meets the eye.
Many in the local Ukrainian community want the museum’s name to be changed to reflect the many artworks in its collection by artists from former Soviet states.
Lisa Ericson renders her real-world subjects beautifully, but the situations in which we find them are uncanny, menacing, and unexpected.
Contemporary society in the United States normalizes the idea of the exhausted mother, so why wouldn’t mother nature be equally exhausted?
Field of Vision’s latest free streaming offering focuses on a vulnerable population put at risk, told through the stories of those inside.
Tsai’s style is the opposite of boring; in demanding the viewer’s attention, he allows for incredible moments of human connection and discovery.
Over 4,000 artists have signed on to the event, with a nifty online directory listing paintings, sculptures, ceramics, and much more.