Art Review
John Giorno Put Poetry on the Line
In iconic works like his "Dial-a-Poem," the artist offered a moment of sustained attention, a sense of relation, a novel perspective.
Art Review
Art Review
In Two Chicago Exhibitions, Liberation Takes the Floor
Shows at MCA Chicago and Wrightwood 659 chart a path from colonial dispossession to the possibilities of dance, music, and community.
Art Review
The Ruthless Portraits of Elizabeth I’s Reign
An exhibition in London traces how depictions of the monarch projected an image of authority, power, wealth, and the right to be regarded as a god in all but name.
Art Review
Charles Seliger Painted Nature’s Invisible Architecture
One of the youngest Abstract Expressionists, the artist charted an independent path guided by the beauty and intricacy of cellular structures.
Art Review
Philip Guston’s Lines of Poetry
A show of his works from 1964–1978 focuses on the artist’s transformation and on his wife, poet Musa McKim, as a principal supporter and source of inspiration.
Art Review
vanessa german’s Shrine to Forgotten Black Girls
In new sculptures that vibrate with color and movement, the artist vivifies the stories of the girls who attempted to escape from a Louisville detention center in 1913.
Art Review
“Helter Skelter” Can’t Look America in the Eye
Nancy Spector’s curation cannot face the racial implications of Richard Prince and Arthur Jafa’s work.
Art Review
A Better World at the Obama Center
The new campus is an expression of the former US president's civic ideals, and a reminder of how distant they now seem.
Art Review
An Artist Duo’s Haven of Synthetic Hair
Merryn Omotayo Alaka and Sam Frésquez steamed, cut, and sewed together lengths of hair by hand to create an ecosystem of biomorphic sculptures.
Art Review
Danielle Mckinney's Portraits of Black Women at Rest
Each figure in her paintings luxuriates in the dreaminess of space belonging to her and her alone.
Art Review
Sanford Wurmfeld’s Unstable Geometry
He emphasizes the temporality of looking, as well as underscores that one’s experience of time is subjective.
Art Review
Portrait of a Papal Artist
In Rome, an exhibition explores Gian Lorenzo Bernini’s relationship to his most powerful patron, Pope Urban VIII.