Dance Your Way to the Museum

The benefits of rave culture, Genesis P-Orridge's subversive mail art, Jean Shin’s memorial to the trees of a New York cemetery, and more.

If you think raves are just hazy gatherings of intoxicated people who have forgotten where they are and can't tell the difference between yesterday and next week, think again. According to curator Naz Cuguoğlu, raves nurture "forms of belonging that may not yet exist elsewhere." In her opinion essay today, she explains how museums can become more welcoming spaces by embracing rave culture.

In the news, Mexico reroutes a high-speed train line to avoid harming newly discovered rock art. Good for them. Other countries — without naming names — would've built a mall over it.

Also today: Genesis P-Orridge's subversive mail art, Jule Korneffel's search for light, Jean Shin’s memorial to the trees of a New York cemetery, and more.

—Hakim Bishara, editor-in-chief


TCS’s dance performance commissioned in response to For Your Eyes Only by Yasmine Nasser Diaz

The Future of Museums Is a Dance Floor

The rave offers a temporary homeland, a space where belonging is felt rather than declared. | Naz Cuguoğlu


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Art by Graphic Rewilding Blooms at Brookfield Place in New York City

Bold and vibrant large-scale installations featuring blossoming flowers celebrate the natural world and bring the outside indoors.

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News

Genesis P-Orridge, Tree of Life Quadtych (1974–2018) (photo Nathaniel Fischer, courtesy Art Metropole)

From Our Critics

Detail of Leonardo Madriz, “Down Is the New Up (Möbius Recalibrates)” (2025); (photo Jonah Goldman Kay/Hyperallergic)

Leonardo Madriz’s Monuments to the Precarity of Now

His sculptures are a striking metaphor for the fragile equilibrium of American life. | Jonah Goldman Kay

Jule Korneffel Finds Meaning at the End of Light

Her paintings compress Roman mythology, Italian Renaissance paintings, color relationships, and that moment before disappearance. | John Yau


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Jeremy Frey: The Generational Impact of a New Artistic Path

Join us on April 29 for a conversation with artist and recent MacArthur Fellowship winner Jeremy Frey and Hyperallergic Editor-at-Large Hrag Vartanian.

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Feature

Jean Shin’s art project at Green-Wood Cemetery (photo Hrag Vartanian/Hyperallergic)

Jean Shin’s Living Memorial to the Trees of Green-Wood Cemetery

Inspired by Korean funerary practices, the artist’s new works examine how ritual and reflection mark the cycles of time. | Jerry Elengical


Member Comment

Jozanne Rabyor on Rhea Nayyar’s “Genesis P-Orridge’s Subversive Mail Art Goes on View”:

When I try to imagine the courage, or perhaps just the must-or-die imperative, that P-Orridge, Tutti and the others had to express themselves 'damn the torpedoes, full speed ahead' FIFTY YEARS AGO (!!!), I hyperventilate with admiration and awe.

From the Archive

Genesis P-Orridge and Lady Jaye Breyer (photo by Laure Leber)

In New Memoir, Genesis Breyer P-Orridge Offers Candid Takes on Sex, Gender, Art, and Love

P-Orridge, who helped popularize nonbinary identity, wrote h/er memoir while living out h/er last days with leukemia. | Billie Anania