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Kim Dacres Sculpts Resilience in Rubber
The artist, who uses scavenged auto parts, is concerned not just with materials but with what they reveal about the worlds they inhabit.
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In a Volatile Market, Art Basel Galleries Bet on Our Attention
For most exhibitors at the Swiss art fair this year, the answer is not spectacle, but rather laser focus.
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Kaleidoscopic Subway Mosaics Celebrate Flatbush’s Theater History
At the Church Avenue station, Christopher Myers’s glass-tiled panels explore the rich legacy of vaudeville and Afro-Caribbean carnival culture.
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Celebrating the Knicks Win, One Stitch at a Time
The textile artist known as Cheeks embraced a wave of city pride at his now-viral Fort Greene embroidery pop-up.
Queer Elders
Sarah Schulman’s Four Decades of Lesbian Fiction
“Nothing stops me except the publishing industry,” quipped the novelist and AIDS historian, who cut her teeth as an East Village journalist writing for queer and feminist papers.
Queer Elders
Nayland Blake Doesn’t Believe in Fixed Selves
“You have to be a person who champions other work,” they told Hyperallergic, “so that you build the context within which your work can be legible.”
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My Queasy, Forest-Scented Stroll Through LA’s New AI Art Museum
Refik Anadol’s Dataland is a whirling, glaring, hyper-stimulating audio-visual-olfactory voyage that has more in common with Disneyland.
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A First Look at the Art in the New Obama Presidential Center
With works by Idris Khan, Maya Lin, and more, the $850M campus will be a public art destination for Chicago’s South Side, if it can live up to its community.
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Radical Reclamation at the First-Ever ArtPhilly Festival
Hyperallergic joined the artists and organizers for the opening week of the new city-wide event, featuring over 30 original commissions.
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The Sun Is Shining on Saif Azzuz
Across galleries, museums, and outdoor sculpture, he connects Indigenous land practices in California, the Hudson Valley, and beyond.
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Seattle Artists Breathe Life Into Houses Slated for Demolition
“We want to act as a little eddy in the stream of gentrification, giving these houses one last burst of life before they’re gone,” one of the organizers of “Once Removed” told Hyperallergic.
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The Small Miracle of Greenpoint Open Studios
The annual festival, which went on hiatus during the pandemic, welcomed visitors into the workspaces of over 250 artists in the Brooklyn neighborhood.