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DACA Artist Uses Thread to Weave Immigration Stories
Arleene Correa Valencia transforms bark paper and embroidery into a tender reckoning with the reality of being undocumented in the United States.
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Co-Working Meets Art at Brooklyn’s Newest Experimental Space
Art hangs on cubicle walls and utility closets at The Gallery, an exhibition space housed in a former guitar string-maker’s office.
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Joe Macken Spent 22 Years Building a Miniature New York by Hand
“It’s a lifelong project,” he said about the 50-foot replica, now on view at the Museum of the City of New York. “I’ll never, ever, ever be finished with it.”
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Kim Gordon Was Never Just the “Girl in the Band”
Best known as co-founder of Sonic Youth, her visual art incorporates humor, intelligence, vulnerability — and, of course, music.
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A Refreshing Turn to Craft at AIPAD's Photography Show
In a year of AI image corruption, this year’s fair, focused largely on Latin American and Latine artists, feels especially hopeful.
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Can an Artwork Have Personhood?
Many of us yearn for intimate, almost human interactions with art objects. But the risks might outweigh the rewards.
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Can the V&A’s New Museum Fulfill Its Democratic Promise?
In contrast with the institution’s behemoth architecture, its recently unveiled East London branches seem built on a human scale.
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What We Loved (And Didn’t) in “Greater New York”
Plus, the works we’re on the fence about in the massive MoMA PS1 survey.
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Jean Shin’s Living Memorial to the Trees of Green-Wood Cemetery
Inspired by Korean funerary practices, the artist's new works examine how ritual and reflection mark the cycles of time.
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Joan Semmel Is Doing Her Best Work at 93
“You say, ‘Fuck you. I'm good and you're wrong,’” she told Hyperallergic. “This is who I am, this is what I do, and this is what I care about.”
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Harry Bertoia Gets His Moment
As a sculpture long thought lost resurfaces in Detroit, the artist and designer’s alma mater sets its sights on a major retrospective.
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Rawya El Chab Tends to the Wounds of Lebanon's Civil War
The latest segment of her performance series “Crossing the Water” chronicles life under military occupation after the 1982 Israeli invasion of Lebanon.