April Fools
The Best April Fools’ Jokes in the Art World This Year
In addition to our own fresh and feral stock of jokes, we wanted to show some love to a few other examples of shenanigans across the arts and humanities.
April Fools
In addition to our own fresh and feral stock of jokes, we wanted to show some love to a few other examples of shenanigans across the arts and humanities.
Feature
“Art is a way that we get to connect with each other, to witness each other, and to give a little bit of a buoy to keep going,” one protester told Hyperallergic.
Feature
The Broad invites us into the late artist’s obsessively iterative practice, where oversized tables and chairs give way to more elusive, personal forms.
Feature
“Asking for Raphael loans is like asking for the firstborn heir of the royal family,” Carmen C. Bambach, curator of the first comprehensive show of the master in the US, told Hyperallergic.
Feature
There is a destabilizing, dreamlike sense of awe in encountering something without knowing the answer to sanity’s most fundamental question: “Is this real?”
Feature
“He was assembling a force field of geometric objects,” said Meyerowitz, whose book of images exploring the painter's famous still lifes is being rereleased this spring.
Feature
This year’s edition proves that the key to viewing work by so-called “autodidact” artists is recognizing its capacity and merit as equal to all other art forms.
Feature
The farmworker movement led by Chávez and Dolores Huerta, one of his accusers, has been a central influence for generations of Latine and Chicano artists.
Feature
The earth’s orbit around the sun continues unabated, reminding us that nothing is permanent, neither darkness nor light.
Feature
The Lower East Side institution's OMA-designed, $82 million expansion debuted this week to mixed reviews.
Feature
And, more importantly, is the work on view worth the price?
Feature
Hyperallergic’s editors sit down for an earnest conversation about the institution’s expanded building and inaugural exhibition.