Betye Saar, Picasso, BlackStar
The little-known story of a stolen Picasso that once belonged to the Guggenheim Museum, Zeitz MOCAA’s new leader, and the discovery of a 2,000-year-old Roman shipwreck.
Summer and the streets are teeming with beautiful young people. In a shop window, I catch my reflection staring at me with contempt. I need a haircut but have no barber to go to. The last one talked too much about his prostate and made me look like the reincarnation of Saddam Hussein.
I spot a pretty well-known artist walking towards me. We’ve met and emailed before, but we can’t really be called friends. We exchange side glances and notice each other, but make an unspoken agreement to keep walking anyway. In hindsight, I should've stopped to say hi. But it was a muggy day and it was hard enough to just exist.
I put on my dark Ray-Bans to avoid any more awkward encounters. Speaking of Ray-Bans, you should read the piece on the recent guerrilla action by the group Everyone Hates Elon. It’s a poster of Jeffrey Epstein wearing Meta’s camera glasses, captioned: “Glasses for people who don’t do consent.”
Driving across Brooklyn, blasting Pink Floyd, I hit the brakes when a flock of geese starts waddling across the bridge over Newtown Creek. They seem to enjoy the attention from charmed drivers filming on their phones. They don't know about the huge poultry slaughterhouse on the other side.
Neighborhoods around me change from White to Hasidic to Black and Brown. Someone on the radio says the president has completely lost his mind. An expert explains that it takes 17 generations to overcome a major generational trauma. Sorry, mister, but I don’t think I can wait that long.
—Hakim Bishara, editor-in-chief

How Betye Saar Came to Be
There is an African Adinkra symbol, “Sankofa,” that means “go back and get it.” It’s intended to preach the importance of looking to the past when shaping the future, and to share wisdom between generations. On the occasion of her 100th birthday, Roberts Projects in Los Angeles organized an exhibition to recognize the earliest professional works of Betye Saar — the prolific assemblage artist who prodded the psyche of the Black American experience for over seven decades before her death last month. The show sheds light on a lesser-known facet of her canon: costume design.
Through the over 200 archival objects in the show, one gets a good sense of the multiple pots Saar had her fingers in at the beginning of her career. Costume design, dancing (a full-wall photo of a young dancing Saar acts as the exhibition greeter), photography, drawing, jewelry, garments, greeting cards, album covers, and more are on view. The range depicts Saar’s broad curiosities, but it also underlines her particular skill in identifying various potentials and fitting them together.
Read MoreNews

- The Joan Mitchell Foundation announces the recipients of its 2026 Fellowships, one of the most coveted prizes awarded to visual artists in the United States.
- Russian missile attacks have damaged or destroyed over 4,500 cultural sites, according to a statement from Ukraine’s Ministry of Culture.
- A new mock ad by the activism group Everyone Hates Elon depicts the Ray-Ban Meta AI glasses on a photo of Jeffrey Epstein, overlaid with the statement, “Glasses for people who don’t do consent.”
- A Picasso that vanished from the University of Pittsburgh in 1961 has resurfaced — and the Guggenheim is headed to court to get it back.
- Elvira Dyangani Ose will succeed Koyo Kouoh as the artistic director of Zeitz Museum of Contemporary Art Africa in Cape Town, South Africa.
- The National Gallery of Art is studying the possible impact of racecar vibrations on artwork ahead of Trump’s “Freedom 250 Grand Prix.”
- A 2,300-year-old papyrus fragment containing parts of Homer’s Odyssey is now on view at the Metropolitan Museum of Art.
- A 17th-century still life that had gathered dust for decades in storage at the National Museum of Norway is set to resurface in a forthcoming exhibition, where it will be publicly attributed to the Flemish painter Clara Peeters for the first time.
- While exploring the warm waters of the Sicilian coast last week, two Italian divers discovered hundreds of clay vessels piled atop an approximately 2,000-year-old Roman shipwreck.
- The San Diego Museum of Art lays off 11 employees, citing “rising operational costs” and funding uncertainties.
- “The Bowery: Devil’s Mile,” opening September 24 at the New Museum, traces 400 years of the iconic strip known as a destination for fun, however raucous or refined.
From Our Critics

The Lost Pearls of New York City
Alan Michelson’s public art installation “The Oyster” on Governors Island conjures up the overlooked history of Indigenous shell middens. | Hrag Vartanian
Read MoreNathaniel Mary Quinn’s Fragments of Home
His fractured portraits at the National Public Housing Museum reckon with memory, family, and a childhood shaped by Chicago’s Robert Taylor Homes. | Lori Waxman
Read MoreFilm

“American Doctor” Is an Indictment of US Leadership and Media
The new documentary follows three humanitarian physicians as they grapple with the horrors of the US-funded genocide in Gaza. | Rhea Nayyar
Read MoreSix Films on Art and Resistance at BlackStar Film Festival
The Philadelphia festival platformed films on Anishinaabe repatriation, the spirited life of art historian Dr. Leslie King Hammond, the Puerto Rican history of the Upper West Side, and more. | Lakshmi Rivera Amin and Elodie Saint-Louis
Read MoreInterview

Maori Karmael Holmes Looks Back on 15 Years of BlackStar
The Philadelphia film festival’s founder reflects on its evolution into a hub for experimental, polyphonic storytelling amid a rapidly changing country and world. | Chenoa Baker
Read MoreBooks

10 Photo Books to Read This Month
Hal Fischer’s archive of queer fashion, Sophie Rivera’s portraits of Nuyorican communities, Rania Matar’s love letter to Lebanon, and more new titles to check out from photo book publishers.
Read MoreCommunity

- In Memoriam: This week, we honor Christian Bernard, the founding museum director; Albert “Al” Gury, an artist who shaped PAFA; Hermione Carline, a painter of transience, and others.
- A View From the Easel: Lilit Martirosyan summons the memories embedded in wool and soil while the sounds of opera arias fill her studio.
- Required Reading: Nancy Spero’s pro-choice art, Valentina Di Liscia on “Casa Cueva,” Brooklyn’s smallest museum, Jamaica Kincaid’s eyebrows, Israeli cuisine and Palestinian erasure, and more.