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Artist-Activist Group Criticizes Pantone’s “Period Red”
“How can we think that Period Red can universally represent our menstrual palettes?” asks Cromoactivismo, an Argentine group that mobilizes color in the service of social change.
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“How can we think that Period Red can universally represent our menstrual palettes?” asks Cromoactivismo, an Argentine group that mobilizes color in the service of social change.
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New York Magazine commissioned voting stickers with imaginative designs by 48 artists.
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Pendleton and Sherald join two honorary trustees who have also stepped down from the board, though the artists did not state their objections to a contentious deaccession.
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This edition, we look at the origins of the term propaganda, some 20th-century incarnations, and how propaganda is playing out during the 2020 US election.
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New York State has lost 32,000 — approximately 50% — of its performing arts jobs in the past year, and “more than 4,400 jobs in museums,” according to Elie Dvorkin of Center for an Urban Future.
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A petitioner has abandoned claims filed with the Commissioner of the New York State Department of Education challenging the sale of Jackson Pollock’s “Red Composition,” which realized $13 million.
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In a public letter yesterday and in an interview with Hyperallergic, Clair Zamoiski Segal, chair of the board of trustees, addressed criticism of the BMA’s decision to sell three paintings from its collection.
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“The future is not shaped by voting alone, but voting is crucial to make a healthy, functional democracy,” the artist said in an Instagram post.
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Also, the climate activist group BP or not BP? staged an anti-oil demonstration at the British Museum in solidarity with Indigenous communities in the arctic, and more.
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The decision comes the day after a settlement between Purdue Pharma and the Justice Department, in which members of the Sackler family will pay $225 million in civil penalties, less than 2% of their estimated net worth.
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A group of approximately 70 Trump supporters marched from City Hall to the Museum of the American Indian in Lower Manhattan, where they unfurled banners and chanted “Back the Blue.”
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Banksy’s “Show Me The Monet” (2005), a riff on Monet’s paintings of his Japanese bridge in Giverny, has achieved the second-highest price ever paid for a work by the street artist.