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Banksy Painting Sells for $10M, Surpassing Its High Estimate
Banksy’s “Show Me The Monet” (2005), a riff on Monet’s paintings of his Japanese bridge in Giverny, has achieved the second-highest price ever paid for a work by the street artist.
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Banksy’s “Show Me The Monet” (2005), a riff on Monet’s paintings of his Japanese bridge in Giverny, has achieved the second-highest price ever paid for a work by the street artist.
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A recent visitor to the Metropolitan Museum’s current Jacob Lawrence exhibition knew of an artwork by Lawrence in a neighbor’s collection that he suspected might belong to the Struggle series.
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BP or not BP? staged the demonstration as part of a day of action convened by the Alaskan Indigenous organizations Defend the Sacred AK and Native Movement.
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While Sculpture Center and MOMA PS1 have shown interest in exhibiting “THE ROCK,” sculptors Pam Lins and Halsey Rodman say the ongoing installation “could disappear at any moment.”
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From sunrise to sunset, the Afield will present a new multimedia performance which mines the details and redactions of the Mueller report.
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From a dust storm in Arizona to a blizzard on the Brooklyn Bridge, the Royal Meteorological Society’s annual photography awards display the beauty and power of nature.
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The painting of Trump ominously descending an escalator on the day he announced his presidential campaign was sold by Phillips in London today.
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Art historian Michael Fried and former BMA director Arnold Lehman signed an open letter sent to the state of Maryland last week, and a former board member has written to the museum’s board.
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The killing happened amid controversial trials of suspected accomplices in the deadly attack on Charlie Hebdo’s Paris headquarters in 2015.
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The Pérez Art Museum Miami says it has a responsibility to remain nonpartisan, per official guidelines on election advocacy released by the American Alliance of Museums.
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The act followed a weekend of protests for Indigenous People’s Day, in which some demonstrators chained themselves to the base of the monument.
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A group of 23 former board and committee members is demanding a formal investigation into what it calls the “hasty and opaque deaccession” of three paintings from the museum’s collection.