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The Institut Valencià d'Art Modern, the main modern and contemporary art museum in Spain's third city, grossly inflated its attendance figures, overpaid for acquisitions, and made a number of other suspicious moves during the 10-year tenure of its former director, Consuelo Ciscar.
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The largest public collection of modern Southeast Asian art is opening this October, and the institution that will house it just announced a collaborative exhibition with the Centre Pompidou in 2016.
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The much-feared destruction of the ancient Syrian city of Palmyra has begun.
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The National Trust for Historic Preservation announced its 11 Most Endangered Historic Places today, including sites across the United States threatened by development, demolition, or decay.
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On this week’s art crime blotter: vandals attack San Francisco mural of same-sex couples, a jailed banker's Basquiat gets repatriated, and an artist's gunshot performance gets his Swiss gallery in trouble.
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The unbroken vista of cliffs and trees on the New Jersey Palisades will be preserved after LG Electronics agreed to redesign their headquarters in a settlement with conservation groups.
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Restrictions on photographing or filming copyrighted art, architecture, or other objects in public might get stricter in the European Union.
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On Monday evening, employees of the Museum of Modern Art (MoMA) who are members of the United Autoworkers Local 2110 voted to approve a new three-year contract that was offered by the museum's administration on Friday.
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This morning in Berlin, a small crowd gathered around an open cemetery grave to pay their respects to a 60-year-old Syrian refugee.
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This week in art news: The British Library provided free online access to all 239 issues of feminist zine Spare Rib (1972–93), Vice hired Pussy Riot's Nadezhda Tolokonnikova as a columnist, and Israel's first museum devoted to contemporary Arab art opened.
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It was intended as a provocative video performance. Late last year, Joseph Gibbons walked into banks in New York and Rhode Island and videotaped himself robbing them.
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LOS ANGELES — In response to the recent decision of the entire first-year USC MFA class to collectively withdraw from their program, a group of over 70 alumni of the Roski School of Art and Design has issued an open letter of support.